![]() Impression Anastaltique, Culture et Civilisation, Brussels (1996 ) Van Nostrand Reinhold, New York (1969 )Ĭhevreul, M.-E.: The Principles of Harmony and Contrast of Colors and their Application to the Arts. University of Art and Design, Helsinki (1995) General Publishing Company, Toronto (1993 )īagley, M-O.: Color in design education. MIT Press, Cambridge, MA (1970 )Ĭabot Hale, N.: Abstraction in Art and Nature. ![]() Whitney Library of Design, New York (1963 ) Harris, M.: The Natural System of Colours. Scandinavian Colour Institute, Stockholm (1996)Īlberti, L.B.: On Painting. (ed.) Colour and Psychology: From AIC Interim Meeting 96, Colour Report F 50, pp. Green-Armytage, P.: Complementary colours – description or evaluation? In: Sivik, L. (ed.): The New Grove Dictionary of Music and Musicians. Secondary colors result from the blend of the three primary colors: green, orange, violet.Thompson, D. The primary colors are the three pure colors: red-magenta, cyan-blue, and yellow.Īll other colors result from their blend. ![]() White is the light in his pure expression.Ĭolors are divided into primary colors and secondary colors. Spectral purity of color (if it is well defined or less defined within the intensity of the color spectrum). Luminous intensity (ie light or brightness). Spectral intensity of color (the dominant light wave: blue-cyan, yellow or red-magenta). What is colour? Synthesizing the colour in art definition. Let’s see this main characteristics of colour in artwork and how the artists use them. We can also describe the color as hot or cold depending on the side of the spectrum to which it belongs. Its main characteristics are hue, saturation, luminosity and brightness. – violet and black– meant mourning, being black for funerals and mass of the deceased, and violet for penance (now violet has totally replaced black).Īrt definition of colour Color is reflected light on objects. – gold brocade – replaced white, red or green – green– moments defined before Lent and after the Holy Trinity – red – meaning blood, would be used for the Passion of Christ and martyrdoms of the Apostles and other Saints – white – days of celebration, consecrations, coronations and important events The colors of the different moments of the liturgical year.Īt the end of the twelfth century, Pope Innocent III established rules regarding the colors used: ONLINE COURSE - Iconography of The Saints. Learn how to apply methods of iconographic analysis and recognise symbols and attributes of the Saints, through practical exercises and other resources for future use. The identification of the liturgical times of the Catholic Church. The most known example will be the traffic lights (green, yellow, red) but others exist. These color codes, once instituted, become a new language for a more or less broad group of people.
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